New translation of the thirteenth century account of the life and achievements of the tenth century Castillian leader Fernán González and historical study of his life and of the historical background to the poem.
Sold as a multi-volume set – the individual volumes are not available for purchase. Pero López de Ayala’s Chronicle of King Pedro provides a compelling and richly informative account of the turbulent reign of the notorious but enigmatic fourteenth-century Castilian monarch who came to be known as Pedro el Cruel. It is a vitally important source for our understanding of the history of the Iberian Peninsula during this critical period in its development and of the complex social and political divisions by which the Spanish kingdoms were torn. This three-volume Chronicle gives us a gripping and wide-ranging picture of a period characterized by harsh brutality, conflict and betrayal but at the same time by the ideals of chivalry, memorably personified in figures such as the Black Prince and Bertrand du Guesclin. At its centre is the chilling portrait of King Pedro, a brilliantly constructed image of self-destructive evil. The translation is accompanied by a Spanish text taken from Germán Orduna’s groundbreaking edition and by detailed notes. The introduction explores the background to the Chronicle’s composition and sets López de Ayala’s account against a broad canvas of...
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
This three-volume edition of the Chronicle of King Pedro is a compelling and richly informative account of the turbulent reign of the notorious but enigmatic fourteenth-century Castilian monarch known as Pedro el Cruel. The clear and lively translation is accompanied by a Spanish text taken from Germán Orduna's groundbreaking edition and by a detailed introduction and extensive notes.
The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.
La obra de Rafael Cano resulta ineludible para cualquier estudioso de la historia del español. Aunque hay ámbitos a los que ha dedicado una atención especial, como la sintaxis histórica, la variación lingüística y el análisis del discurso, ninguno está ausente en su producción, desde los que conciernen a la fonética, fonología, grafemática y ecdótica, hasta los centrados en cuestiones de lexicología, lexicografía y semántica. Todos están representados en las colaboraciones de los más de 60 amigos y colegas, españoles y extranjeros, recogidas en estos dos volúmenes sobre El español a través del tiempo, que serán igualmente indispensables en la investigación de la trayectoria de nuestro idioma.--Jacket.
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
During the 13th and 14th centuries, medieval Castile produced some of the liveliest, most sophisticated vernacular reworkings of narratives inherited from classical and late antiquity, including those about Alexander the Great, the Trojan War, or Apollonius of Tyre. This study recovers the overlooked tradition of the Castilian romances of antiquity, showing how these works offered a nuanced reflection of the relationship between cultural memory, the media through which memory is shaped and transmitted, and Castile’s imperial ambitions. Clara Pascual-Argente restores a genre of great cultural and political importance to its rightful place in Castilian and European literary history.
One of the most powerful and sustained works in all medieval literature, without which no series could be considered complete. The Poem of My Cid deals with the exploits of the medieval Castilian warrior, beginning with the sorrow of his departure into exile and focusing on his determination to regain the favour of his king. The poem is rich in incident and around the strength of the epic hero is developed the theme of the relationship between the individual and seigneurial society. The tribulations of his life and the drama of his battles against both Moors and Christians are presented with unusual directness and force. The translation preserves the tone of the original and reflects the vitality of its style while following the facing text closely. The full notes and the introduction cover problems of interpretation, style and background. Spanish text with facing-page translation, introduction and commentary.
Cultures of the Fragment places fragments at the center of reading and non-reading uses of Iberian manuscripts. The book contests the notion that fragments came about accidentally, arguing that most fragments were created on purpose, as a result of a wide range of practical, intellectual and spiritual uses of manuscript material.
These essays explore the place, function and meaning of women as characters, authors, constructs and symbols in Medieval epics from Persia, Spain, France, England, Germany and Scandinavia. Usually believed to narrate the deeds of men at war, this book looks at the key roles often played by women and the impact of this on the history of gender.
Exploring the creation of the El Cid legend over the centuries, this masterful and evocative biography peels away the layers of myth to reveal the real-life historical figure. El Cid was perhaps the most famous warrior involved in the indiscriminate fighting—irrespective of religion—on the Iberian Peninsula during the eleventh century. In the centuries after his death, he was transformed into a perfect Christian knight. In modernity, he was seen as the incarnation of Spain’s special national character—Franco chose El Cid as the emblem of Nationalist Spain. Yet not only those on the political right, but many others, including academics and those on the political left, were in his thrall. He has been promoted both as the forerunner of white supremacists and of multiculturalism. How can we explain such a stupendous afterlife, and how can El Cid be a hero for so many different people? To begin to understand that, we must try to understand the truth buried beneath the myth. Nora Berend explores the creation of the legends over the centuries and reveals those active in its making. Medieval monks, the women in El Cid’s family, a playwright, and a historian are among the...
DIVThe Poema de Mio Cid recounts the adventures of Rodrigo Diaz, an 11th-century hero of Islamic Spain. The sole dual-language edition currently available. /div
![The poem of the Cid, a tr. [partly in verse, partly in prose] with intr. and notes by J. Ormsby](https://cdn1.ebookslibros.com/images/libro/the-poem-of-the-cid-a-tr-partly-in-verse-partly-in-prose-with-intr-and-notes-by-j-ormsby-id-p2UCAAAAQAAJ.webp)
This book is an innovative study of humour and the body in Juan Ruiz's Libro de Buen Amor (1330), using modern analytical techniques to examine the place of the Libro's bawdy and grotesque in relation to secular and sacred culture.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Keith Whinnom, Professor of Spanish and Deputy Vice-Chancellor in the University of Exeter, died on March 6, 1986. He was one of the leading hispanists of his generation, and a world authority on the literature of the reign of the Catholic Monarchs (and, in a quite different area, on pidgin and creole languages). The contributors to this memorial volume are all specialists in the literature of Keith Whinnom’s chosen period, and all had close links with him, through personal friendship, research collaboration, and correspondence. They include his most admired teacher, two young scholars whom he helped at the outset of their careers, and representatives of the academic generations in between; they come from Britain, Spain, the United States, Argentina and France. Most of the articles deal with the favorite Whinnom subjects of cancionero poetry, sentimental romance, and Celestina, and there are others on historiography, humanistic prose, chivalric romance, sermons, drama, and the interaction of history and literature. A bibliography of Keith Whinnom’s scholarly writings is included.
Más detalles